Ἡ Ἱστορία τῆς Ἁγίας Ζώνης

Στὶς 31 Αὐγούστου θὰ ἑορτάσουμε καὶ φέτος τὴν Κατάθεση τῆς Τιμίας Ζώνης τῆς Θεοτόκου. Ἀποτελεῖ τὸ μοναδικὸ ἱερὸ κειμήλιο ποὺ σχετίζεται μὲ τὸν ἐπίγειο βίο τῆς Θεοτόκου καὶ διασῴζεται μέχρι σήμερα στὴν Ἱερὰ Μονὴ τοῦ Βατοπαιδίου στὸ Ἅγιο Ὅρος, στὸ Περιβόλι τῆς Παναγίας. Ἡ ἴδια ἡ Θεοτόκος τὴν ὕφανε ἀπὸ τρίχες καμήλας.

Οἱ πληροφορίες γιὰ τὸν ἐπίγειο βίο τῆς Θεοτόκου εἶναι λιγοστὲς καὶ προέρχονται ἀπὸ τὴν Καινὴ Διαθήκη καὶ ἀπὸ τὴν παράδοση ποὺ διασώθηκε ἀπὸ τοὺς ἀποστολικοὺς ἀκόμη χρόνους. Ἡ Θεοτόκος μέχρι τὴν Κοίμησή της παρέμεινε στὰ Ἱεροσόλυμα καὶ ἦταν μέλος τῆς πρώτης Ἐκκλησίας. Τὴ φροντίδα τῆς εἶχε ἀναλάβει ὁ ἀγαπημένος μαθητὴς τοῦ Κυρίου, ὁ Εὐαγγελιστὴς Ἰωάννης.

Οἱ τελευταῖες στιγμὲς τῆς ἐπίγειας ζωῆς τῆς εἶναι θαυμαστὲς καὶ συγκινητικές. Κοντὰ τῆς βρέθηκαν οἱ Ἀπόστολοι οἱ ὁποῖοι ἔφτασαν ἀπὸ τὰ πέρατα τῆς οἰκουμένης στὰ Ἱεροσόλυμα μὲ τρόπο θαυμαστό, «ἐπὶ νεφελῶν» . Καὶ τότε, ὁ ἴδιος ὁ Κύριος ἐμφανίστηκε θριαμβευτικὰ «ἐπὶ νεφελῶν», μὲ τὴ συνοδεία πλήθους ἀγγέλων. Ἡ Θεοτόκος προσευχήθηκε στὸν Υἱό της, παρηγόρησε τοὺς Ἀποστόλους καὶ ὑποσχέθηκε ὅτι θὰ εἶναι πάντα κοντὰ στὴν Ἐκκλησία γιὰ νὰ μεσιτεύει στὸν Υἱό της καὶ παρέδωσε τὴν πανάμωμη ψυχή της στὸν Κύριο.

Οἱ Ἀπόστολοι ἐναπόθεσαν τὴν Ἁγία Σορὸ τῆς Θεοτόκου σὲ «καινὸν μνημεῖον» στὴ Γεθσημανή. Ἐκεῖ ἡ Ἁγία Ἑλένη ἀργότερα ἔκτισε τὸ ναὸ τῆς Κοιμήσεως. Τρεῖς μέρες μετὰ τὴν κοίμηση κατέβηκε ὁ Κύριος μὲ τὴ συνοδεία τῶν Ἀρχαγγέλων Μιχαὴλ καὶ Γαβριὴλ καὶ πλήθους ἀγγέλων. Ὁ Ἀρχάγγελος Μιχαὴλ μὲ ἐντολὴ τοῦ Κυρίου παρέλαβε τὴν Ἁγία Σορὸ τῆς Θεοτόκου καὶ ὅλοι μαζὶ ἀνῆλθαν στοὺς οὐρανούς. Ἡ θαυμαστὴ Μετάσταση τῆς Θεομήτορος εἶχε συντελεστεῖ. Τὸ ἱερὸ Σῶμα τῆς ἐνώθηκε πάλι μὲ τὴν ἁγνὴ ψυχή της.

Ὁ Ἀπόστολος Θωμὰς ἦταν ὁ μόνος ἀπὸ τοὺς Ἀποστόλους ποὺ εἶδε τὴ θαυμαστὴ Μετάσταση τῆς Θεοτόκου. Δὲν εἶχε μπορέσει νὰ παρευρεθεῖ στὴν κηδεία τῆς εὐρισκόμενος στὶς Ἰνδίες. Ἐκεῖ, μετὰ ἀπὸ τρεῖς ἡμέρες, καὶ ἐνῷ τελοῦσε τὴ Θεία Λειτουργία, βρέθηκε στὴ Γεθσημανὴ μὲ θαυμαστὸ τρόπο καὶ εἶδε ὅλα ὅσα συνέβησαν. Τότε παρακάλεσε τὴν Παναγία νὰ τοῦ δώσει γιὰ εὐλογία τὴ Ζώνη της. Καὶ ἐκείνη, καθὼς ἀνέβαινε στοὺς οὐρανούς, τοῦ ἔριξε τὸ Ἱερὸ κειμήλιο «πρὸς δόξαν ἀκήρατον, ἀνερχομένη Ἁγνή, χειρί σου δεδώρησαι τῷ ἀποστόλῳ Θωμὰ τὴν πάνσεπτον Ζώνην σου» ψάλλουμε στὸ ἀπολυτίκιο τῆς ἑορτῆς τῆς Καταθέσεως τῆς Τιμίας Ζώνης.



Ὁ Ἀπόστολος Θωμὰς στὴ συνέχεια πληροφόρησε καὶ τοὺς ὑπόλοιπους Ἀποστόλους γιὰ τὰ θαυμαστὰ αὐτὰ γεγονότα καὶ τοὺς ἔδειξε τὴν Ἁγία Ζώνη τῆς Παναγίας. Ἐκεῖνοι δοξολόγησαν τὸν Θεὸ καὶ τοῦ ζήτησαν νὰ τοὺς εὐλογήσει, καθὼς ἦταν ὁ μόνος ποὺ ἀξιώθηκε νὰ δεῖ τὴν ἔνδοξη Μετάσταση τῆς Θεοτόκου.

Τὴ διαφύλαξη τῆς Ἁγίας Ζώνης ἀνέλαβαν δύο φτωχὲς καὶ εὐσεβεῖς γυναῖκες στὰ Ἱεροσόλυμα, οἱ ὁποῖες φρόντιζαν τὴ Θεοτόκο. Παρέλαβαν μὲ εὐλάβεια τὸ ἱερὸ κειμήλιο καὶ ἀπὸ τότε τὸ ἔργο τῆς διαφύλαξής του συνέχιζε ἀπὸ γενιὰ σὲ γενιὰ μία εὐλαβὴς παρθένος καταγόμενη ἀπὸ τὴν οἰκογένεια αὐτή.

Ἡ ἀνακομιδὴ τῆς Τιμίας Ζώνης καὶ ἡ μεταφορά της στὴν Κωνσταντινούπολη ἔγινε ἀπὸ τὸν αὐτοκράτορα Ἀρκάδιο (395-408). Ἡ ὑποδοχὴ τοῦ ἱεροῦ λειψάνου στὴ Βασιλεύουσα ἦταν λαμπρότατη. Ὁ αὐτοκράτορας κατέθεσε τὴν Τιμία Ζώνη τῆς Θεοτόκου σὲ λειψανοθήκη ποὺ ὀνόμασε «ἁγίαν σορόν» . Ἡ κατάθεση ἔγινε στὶς 31 Αὐγούστου, τελευταία μέρα τοῦ ἐκκλησιαστικοῦ ἔτους. Στὴν πόλη τοῦ Ἁγίου Κωνσταντίνου, τῆς ὁποίας Ὑπέρμαχος Στρατηγὸς καὶ Προστάτις ἦταν ἡ Θεοτόκος, θὰ φυλασσόταν πλέον ἡ Ἁγία Ζώνη τῆς Θεομήτορος.

Ἡ κόρη τοῦ Ἀρκάδιου, ἡ αὐτοκράτειρα Πουλχερία, ἀνήγειρε λαμπρὸ ναὸ πρὸς τιμὴ τῆς Παναγίας, τὸν περίφημο ναὸ τῆς Θεοτόκου τῶν Χαλκοπρατείων. (Χαλκοπράτεια ὀνομαζόταν ἡ συνοικία ὅπου κτίστηκε ὁ ναός• τὸ ὄνομά της ἡ συνοικία τὸ ἔλαβε ἀπὸ τὸ γεγονὸς ὅτι ἐκεῖ πρὶν κατασκευάζονταν καὶ πωλοῦνταν χάλκινα ἀντικείμενα). Στὸ ναὸ αὐτὸ ἡ αὐτοκράτειρα κατέθεσε τὴν Ἁγία Ζώνη τῆς Παναγίας. Ἡ ἴδια μάλιστα ἡ Πουλχερία κέντησε μὲ χρυσὴ κλωστὴ τὴν Τιμία Ζώνη διακοσμώντας τὴν. Ἡ χρυσὴ αὐτὴ κλωστὴ εἶναι εὐδιάκριτη καὶ σήμερα στὸ τμῆμα ποὺ φυλάσσεται στὴν Ἱερὰ Μονὴ Βατοπαιδίου.

Ὁ αὐτοκράτορας Ἰουστίνος Β καὶ ἡ σύζυγός του Σοφία ἀνακαίνισαν τὸν ἱερὸ ναὸ τῶν Χαλκοπρατείων καὶ ἀνήγειραν ἐκεῖ καὶ τὸ παρεκκλήσιο τῆς Ἁγίας Σοροῦ• ἐκεῖ, μέσα σὲ λειψανοθήκη καὶ πάνω στὴν Ἁγία Τράπεζα, φυλασσόταν ἡ Τιμία Ζώνη τῆς Θεοτόκου.

Πλῆθος πιστῶν συνέρρεαν γιὰ νὰ τὴν προσκυνήσουν μὲ εὐλάβεια ζητώντας ἀπὸ τὴν Παναγία νὰ μεσιτεύσει μὲ τὶς πρεσβεῖες της στὸν Κύριο. Πλῆθος θαυμάτων ἐπιτέλεσε ἡ Τιμία Ζώνη. Ἄνθρωποι δυστυχισμένοι καὶ πονεμένοι βρῆκαν λύτρωση μὲ τὴ θαυματουργὴ δύναμη τοῦ ἁγίου λειψάνου. Γιὰ τὸ λόγο αὐτὸ ὑμνήθηκε ἀπὸ φημισμένους ἀνθρώπους τῆς ἐποχής• μὲ τὴ χάρη τῆς Παναγίας καθαγιάζει τοὺς πιστοὺς ποὺ προσέρχονται εὐλαβικὰ γιὰ νὰ τὸ προσκυνήσουν• τοὺς ἀνυψώνει ἀπὸ τὴ φθορά, τοὺς ἀπαλλάσσει ἀπὸ ἀσθένειες καὶ θλίψεις.

Στὴ συνέχεια ἡ Ἁγία Ζώνη τεμαχίστηκε καὶ τεμάχιά της μεταφέρθηκαν σὲ διάφορους ναοὺς τῆς Κωνσταντινούπολης. Μετὰ τὴν ἅλωση τῆς Πόλης ἀπὸ τοὺς Σταυροφόρους τὸ 1204, κάποια τεμάχια ἁρπάχτηκαν ἀπὸ τοὺς βάρβαρους καὶ ἀπολίτιστους κατακτητὲς καὶ μεταφέρθηκαν στὴ Δύση. Ἕνα μέρος ὅμως διασώθηκε καὶ παρέμεινε στὴν Κωνσταντινούπολη καὶ μετὰ τὴν ἀπελευθέρωση τῆς Πόλης ἀπὸ τὸν Μιχαὴλ Ἡ Παλαιολόγο. Φυλασσόταν στὸν ἱερὸ ναὸ τῆς Θεοτόκου τῶν Βλαχερνῶν. Ἡ τελευταία ἀναφορὰ γιὰ τὸ ἅγιο λείψανο εἶναι ἑνὸς ἀνώνυμου Ρώσου προσκυνητῆ στὴν Κωνσταντινούπολη μεταξύ του 1424 καὶ 1453.

Μετὰ τὴν ἅλωση τῆς Κωνσταντινούπολης ἀπὸ τοὺς Τούρκους τὸ 1453, εἶναι ἄγνωστο τί ἀπέγινε τὸ ὑπόλοιπο μέρος τῆς Ἁγίας Ζώνης στὴ συνέχεια. Ἔτσι τὸ μοναδικὸ σωζόμενο τμῆμα εἶναι αὐτὸ ποὺ φυλάσσεται στὴν Ἱερὰ Μονὴ Βατοπαιδίου• μὲ ἐξαιρετικὰ περιπετειώδη τρόπο ἔφτασε ἐκεῖ.





Ὁ Ἅγιος Κωνσταντῖνος εἶχε κατασκευάσει ἕναν χρυσὸ σταυρὸ γιὰ νὰ τὸν προστατεύει στὶς ἐκστρατεῖες. Στὴ μέση του σταυροῦ εἶχε τοποθετηθεῖ τεμάχιο Τιμίου Ξύλου• ὁ σταυρὸς ἔφερε ἐπίσης θῆκες μὲ ἅγια λείψανα Μαρτύρων, καὶ ἕνα τεμάχιο τῆς Τιμίας Ζώνης. Ὅλοι οἱ βυζαντινοὶ αὐτοκράτορες ἔπαιρναν αὐτὸν τὸν σταυρὸ στὶς ἐκστρατεῖες. Τὸ ἴδιο ἔπραξε καὶ ὁ αὐτοκράτορας Ἰσαάκιος Β Ἄγγελος (1185-1195) σὲ μία ἐκστρατεία ἐναντίον τοῦ ἡγεμόνα τῶν Βουλγάρων Ἀσᾶν. Νικήθηκε ὅμως καὶ μέσα στὸν πανικὸ ἕνας ἱερέας τὸν πέταξε στὸ ποτάμι γιὰ νὰ μὴν τὸν βεβηλώσουν οἱ ἐχθροί. Μετὰ ἀπὸ μερικὲς μέρες ὅμως οἱ Βούλγαροι τὸν βρήκαν• ἔτσι πέρασε στὰ χέρια τοῦ Ἀσᾶν.

Οἱ Βούλγαροι ἡγεμόνες μιμούμενοι τοὺς Βυζαντινοὺς αὐτοκράτορες ἔπαιρναν μαζί τους στὶς ἐκστρατεῖες τὸ σταυρό. Σὲ μία μάχη ὅμως ἐναντίον τῶν Σέρβων ὁ βουλγαρικὸς στρατὸς νικήθηκε ἀπὸ τὸν Σέρβο ἡγεμόνα Λάζαρο (1371-1389). Ὁ Λάζαρος ἀργότερα δώρισε τὸ σταυρὸ τοῦ Ἁγίου Κωνσταντίνου στὴν Ἱερὰ Μονὴ Βατοπαιδίου μαζὶ μὲ τὸ τεμάχιο τῆς Τιμίας Ζώνης.

Οἱ Ἅγιοι Πατέρες τῆς Ἱερᾶς Μονῆς διασῴζουν καὶ μία παράδοση σύμφωνα μὲ τὴν ὁποία ἡ Τιμία Ζώνη τῆς Θεοτόκου ἀφιερώθηκε στὴν Ἱερὰ Μονὴ Βατοπαιδίου ἀπὸ τὸν αὐτοκράτορα Ἰωάννη ΣΤ Καντακουζηνὸ (1341-1354), ὁ ὁποῖος στὴ συνέχεια παραιτήθηκε ἀπὸ τὸ ἀξίωμα, ἐκάρη μοναχὸς μὲ τὸ ὄνομα Ἰωάσαφ καὶ μόνασε στὴν Ἱερὰ Μονὴ Βατοπαιδίου.

Τὰ θαύματα ποὺ πραγματοποίησε καὶ πραγματοποιεῖ ἡ Τιμία Ζώνη εἶναι πολλά. Βοηθᾷ εἰδικὰ τὶς στεῖρες γυναῖκες νὰ ἀποκτήσουν παιδί. Ἂν ζητήσουν μὲ εὐλάβεια τὴ βοήθειά της Παναγίας, τοὺς δίδεται τεμάχιο κορδέλας ποὺ ἔχει εὐλογηθεῖ στὴν λειψανοθήκη τῆς Ἁγίας Ζώνης• ἂν ἔχουν πίστη, καθίστανται ἔγκυες.

My dear Mother, Panagia ( Elder Joseph the Hesychast )

All the saints wrote many praises to our Panagia. But I, the poor one, have found no words more elegant or sweet to describe her, than to cry out to her at every moment: '' My dear Mother! My dear,
sweet Mother! When my soul departs may it come into thy hands, and through them may it be given to its Creator, thine Only-begotten Son.


Elder Joseph the Hesychast

Βασιλισσα του κοσμου, Δεσποινα του Ουρανου ( video )

Παναγιά μου, γλυκιά μου Mητέρα ( video )

The Holy Icons

One of the first things that strikes a non-Orthodox visitor to an Orthodox church is the prominent place assigned to the Holy Icons. The Iconostasis (Icon-screen) dividing the Altar from the rest of the church is covered with them, while others are placed in prominent places throughout the church building. Sometimes even the walls and ceiling are covered with them in fresco or mosaic form. The Orthodox faithful prostrate themselves before them, kiss them, and burn can-dles before them. They are censed by the Priest and carried in processions. Considering the ob-vious importance of the Holy Icons, then, questions may certainly be raised concerning them: What do these gestures and actions mean? What is the significance of these Icons? Are they not idols or the like, prohibited by the Old Testament?




Some of the answers to these questions can be found in the writings of St. John of Da-mascus (f776), who wrote in the Mid-Eighth Century at the height of the iconoclast (anti-icon) controversies in the Church, controversies which were resolved only by the 7th Ecumenical Council (787), which borrowed heavily from these writings.

As St. John points out, in ancient times God, being incorporeal and uncircumscribed, was never depicted, since it is impossible to represent that which is immaterial, has no shape, is inde-scribable and is unencompassable. Holy Scripture states categorically: No one has ever seen God (John 1:18) and You cannot see My [God's] face, for man shall not see Me and live (Ex. 33:20). The Lord forbade the Hebrews to fashion any likeness of the Godhead, saying: I7ou shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth (Ex. 20:4). Consequently, the Holy Apostle Paul also asserts: Being then God’s offspring, we ought not to think that the Deity is like gold, or silver, or stone, a representation by the art and imagination of man (Acts 17:29).

Nonetheless, we know that Icons have been used for prayer from the first centuries of Christianity. Church Tradition tells us, for example, of the existence of an Icon of the Savior dur-ing His lifetime (the “Icon-Made-Without-Hands”) and of Icons of the Most-Holy Theotokos immediately after Him. Tradition witnesses that the Orthodox Church had a clear understanding of the importance of Icons right from the beginning; and this understanding never changed, for it is derived from the teachings concerning the Incarnation of the Second Person of the Holy Trini-ty — Our Lord and Savior Jesus Christ. The use of Icons is grounded in the very essence of Christianity, since Christianity is the revelation by the God-Man not only of the Word of God, but also of the Image of God; for, as St. John the Evangelist tells us, the Word became flesh and dwelt among us (John 1:14).

No one has ever seen God; the only Son, Who is in the bosom of the Father, He has made Him known (John 1:18), the Evangelist proclaims. That is, He has revealed the Image or Icon of God. For being the brightness of [God's] glory, and the express image of [God's] person (Heb. 1:3), the Word of God in the Incarnation revealed to the world, in His own Divinity, the Image of the Father. When St. Philip asks Jesus, Lord, show us the Father, He answered him: Have I been with you so long, and yet you do not know Me, Philip? He who has seen Me has seen the Father (John 14:8, 9). Thus as the Son is in the bosom of the Father, likewise after the Incarnation He is consubstantial with the Father, according to His divinity being the Father’s Image, equal in honor to Him.

The truth expressed above, which is revealed in Christianity, thus forms the foundations of Christian pictorial art. The Image (or Icon) not only does not contradict the essence of Chris-tianity, but is unfailingly connected with it; and this is the foundation of the tradition that from the very beginning the Good News was brought to the world by the Church both in word and in image. This truth was so self-evident, that Icons found their natural place in the Church, despite the Old Testament prohibition against them and a certain amount of contemporary opposition.

St. John Damascene further tells us that because the Word became flesh (John 1:14), we are no longer in our infancy; we have grown up, we have been given by God the power of dis-crimination and we know what can be depicted and what is indescribable. Since He Who was incorporeal, without form, quantity and magnitude, Who was incomparable owing to the supe-riority of His nature, Who existed in the image of God assumed the form of a servant and ap-peared to us in the flesh, we can portray Him and reproduce for contemplation Him Who has condescended to be seen.

We can portray His ineffable descent, His Nativity from the Blessed Virgin, His Baptism in the Jordan, His Transfiguration on Mt. Tabor, His sufferings, death and miracles. We can de-pict the Cross of Salvation, the Sepulcher, the Resurrection and the Ascension, both in words and in colors. We can confidently represent God the Invisible — not as an invisible being, but as one Who has made Himself visible for our sake by sharing in our flesh and blood.

As the Holy Apostle Paul says: Ever since the creation of the world [God's] invisible na-ture, namely, His eternal power and deity, has been clearly perceived in the things that have been made (Rom. 1:20). Thus, in all creatures we see images that give us a dim insight into Divine Revelation — when, for instance, we say that the Holy Trinity Without Beginning can be represented by the sun, light and the ray, or by the mind, the word and the spirit that is within us, or by the plant, the flower and the scent of the rose.

Thus, what had only been a shadow in the Old Testament is now clearly seen. The Coun-cil in Trullo (691-2), in its 82nd Rule, stated:

Certain holy icons have the image of a lamb, at which is pointing the finger of the Forerunner. This lamb is taken as the image of grace, representing the True Lamb, Christ our God, Whom the law foreshadowed. Thus accepting with love the ancient images and shadows as prefigurations and symbols of truth transmit-ted to the Church, we prefer grace and truth, receiving it as the fulfillment of the law. Thus, in order to make plain this fulfillment for all eyes to see, if only by means of pictures, we ordain that from henceforth icons should represent, instead of the lamb of old, the human image of the Lamb, Who has taken upon Himself the sins of the world, Christ our God, so that through this we may perceive the height of the ab-asement of God the Word and be led to remember His life in the flesh, His Passion and death for our salva-tion and the ensuing redemption of the world.

The Orthodox Church, then, created a new art, new in form and content, which uses images and forms drawn from the material world to transmit the revelation of the divine world, making the divine accessible to human understanding and contemplation. This art developed side by side with the Divine Services and, like the Services, expresses the teaching of the Church in confor-mity with the word of Holy Scripture. Following the teachings of the 7th Ecumenical Council, the Icon is seen not as simple art, but that there is a complete correspondence of the Icon to Holy Scripture, “for if the [Icon] is shown by [Holy Scripture], [Holy Scripture] is made incontestably clear by the [Icon] [Acts of the 7th Ecumenical Council, 6].

As the word of Holy Scripture is an image, so the image is also a word, for, according to St. Basil the Great (f379), “what the word transmits through the ear, that painting silently shows through the image” [Discourse 19, On the 40 Martyrs]. In other words, the Icon contains and professes the same truth as the Gospels and therefore, like the Gospels, is based on exact data, and is not a human invention, for if it were otherwise, Icons could not explain the Gospels nor correspond to them.

By depicting the divine, we are not making ourselves similar to idolaters; for it is not the material symbol that we are worshipping, but the Creator, Who became corporeal for our sake and assumed our body in order that through it He might save mankind. We also venerate the ma-terial objects through which our salvation is effected — the blessed wood of the Cross, the Holy Gospel, and, above all, the Most-Pure Body and Precious Blood of Christ, which have grace-bestowing properties and Divine Power.

As St. John Damascene asserts: “I do not worship matter but I worship the Creator of matter, Who for my sake became material and deigned to dwell in matter, Who through matter effected my salvation. I will not cease from worshipping the matter through which my salvation has been effected” [On Icons, 1,16]. Following his teachings, we, as Orthodox Christians, do not venerate an Icon of Christ because of the nature of the wood or the paint, but rather we venerate the inanimate image of Christ with the intention of worshipping Christ Himself as God Incarnate through it.

We kiss an Icon of the Blessed Virgin as the Mother of the Son of God, just as we kiss the Icons of the Saints as God’s friends who fought against sin, imitated Christ by shedding their blood for Him and followed in His footsteps. Saints are venerated as those who were glorified by God and who became, with God’s help, terrible to the Enemy, and benefactors to those advancing in the faith — but not as gods and benefactors themselves; rather they were the slaves and servants of God who were given boldness of spirit in return for their love of Him. We gaze on the depiction of their exploits and sufferings so as to sanctify ourselves through them and to spur ourselves on to zealous emulation.

The Icons of the Saints act as a meeting point between the living members of the Church [Militant] on earth and the Saints who have passed on to the Church [Triumphant] in Heaven. The Saints depicted on the Icons are not remote, legendary figures from the past, but contempo-rary, personal friends. As meeting points between Heaven and earth, the Icons of Christ, His Mother, the Angels and Saints constantly remind the faithful of the invisible presence of the whole company of Heaven; they visibly express the idea of Heaven on earth.

In venerating the Icons, then, the Orthodox are championing the basis of Christian faith — the Incarnation of God — and, consequently, salvation and the very meaning of the Church’s existence on earth, since the creation of the Holy Icons goes back to the very origins of Chris-tianity and is an inalienable part of the truth revealed by God, founded as it is on the person of the God-Man Jesus Christ Himself. Holy Images are part of the nature of Christianity and with-out the Icon Christianity would cease to be Christianity. The Holy Gospel summons us to live in Christ, but it is the Icon that shows us this life.

If God became man in order that man might be like God, the Icon, in full accord with di-vine worship and theology, bears witness to the fruits of the Incarnation and to the sanctity and deification of man. It shows him in the fullness of his earthly nature, purified of sin and partak-ing of the life of God, testifies to the sanctification of the human body and displays to the world the image of man who is similar to God by grace. The Icon outwardly expresses the sanctity of the depicted Saint, and this sanctity is apparent to bodily vision.

Thus, according to St. John Damascene, those who refuse to venerate an Icon also refuse to worship God’s Son, Who is the living image and unchanging reflection of God the Invisible. Be it known, he says, that anyone who seeks to destroy the Icons of Christ or His Mother, the Blessed Theotokos, or any of the Saints, is the enemy of Christ, the Holy Mother of God, and the Saints, and is the defender of the Devil and his demons.

Image Not-Made-by-Hands.

One of the earliest Icons witnessed to by Church Tradition, is the Icon of the Savior Not-Made-By-Hands. According to Tradition, during the time of the earthly ministry of the Savior, Abgar ruled in the Syrian city of Edessa. He was afflicted with leprosy over his whole body. At this time report of the great miracles performed by the Lord extended throughout Syria (Matt. 4:24) and as far as Arabia. Although not having seen the Lord, Abgar believed in Him as the Son of God and wrote a letter requesting Him to come and heal him. With this letter he sent to Pales-tine his court-painter Ananias, entrusting him to paint an image of the Divine Teacher.

Ananias went to Jerusalem and saw the Lord surrounded by people. He was not able logo to Him because of the great throng of people listening to His preaching; so he stood on a huge rock and attempted to produce a painting of the image of the Lord Jesus Christ, unable, however, to succeed. The Savior Himself called him by name and gave for Abgar a beautiful letter in which,’ having glorified the faith of the ruler, He promised to send His disciple in order to heal him from the leprosy and instruct him in salvation.

After this, the Lord called for water and a towel. He wiped His face, rubbing with the to-wel, and on it was impressed His Divine Image. The towel and the letter the Savior sent with Ananias to Edessa. With thanksgiving Abgar received the sacred object and received healing, but a small portion, only a trace, remained of the terrible disease on his face until the arrival of the promised Disciple of the Lord.

The Apostle of the 70, Thaddeus, came to them and preached the Gospel, baptizing the believing Abgar and all living in Edessa. Having written on the Image Not-Made-By-Hands the words, “Christ-God, everyone trusting in Thee will not be put to shame,” Abgar adorned it and placed it in a niche over the city gates.

For many years the inhabitants preserved a pious custom of venerating the Image Not-Made-By-Hands whenever passing through the gates. But a great-grandson of Abgar, ruling Edessa, fell into idolatry and resolved to take the Image away from the city walls. In a vision, the Lord ordered the Bishop of Edessa to conceal His Image. The Bishop, coming at night with his clergy, lit before the Image a lampada and then blocked up the niche with clay tablets and bricks.

Many years passed by and the inhabitants forgot about the Holy Object. But then, when in 545 the Persian King Chroses I besieged Edessa, the position of the city seemed hopeless. But the Most-Holy Sovereign Lady manifested Herself to Bishop Evlavios and commanded him to get from the enclosed niche the Image with which to save the city from the adversaries. Disman-tling the niche, the Bishop found the Holy Image; before it burned the lampada and on the clay tablets, with which the niche had been enclosed, was a similar image. After preceding with the Cross and the Image Not-Made-By-Hands around the walls of the city, the Persian army miracu-lously departed.

In 630, Edessa was seized by the Arabs; but they did not impede veneration of the Image Not-Made-By-Hands, glory of which extended out into all the East. In 944 the Emperor Constantine Porphyrogenitus (912-59) requested that the Image be redeemed from the Emir — the ruler of the city of Edessa — and brought to the Capital of the Orthodox. With great honor the Image of the Savior Not-Made-By-Hands and the letter which He wrote to Abgar, were brought by the clergy to Constantinople. On Aug. 16 the Image of the Savior was placed in the Pharos Church of the Most-Holy Theotokos.

Concerning the subsequent fate of the Image Not-Made-By-Hands, there exists several traditions. According to one, it was carried away by Crusaders during the time of their dominion over Constantinople (1204-61), but the ship on which the Holy Objects had been taken, sank in the Sea of Marmora. According to another, the Image Not-Made-By-Hands was taken about 1362 to Genoa, where it was presented to and preserved in a monastery dedicated to the Apostle Bartholomew.

In the time of the iconoclastic heresy, the defenders of icon-veneration, shedding their blood for the Holy Icons, sang the Troparion to the Image Not-Made-By-Hands. The Image (the Holy Face) was put up as an emblem of the Russian armies, defending them from the enemy; and in the Russian Orthodox Church there is a pious custom that before entering a church, the faith-ful read together the prayers and the Troparion to the Image Not-Made-By-Hands. The Feast of this Icon is celebrated on Aug. 16, during the Afterfeast period of the Feast of the Dormition, and is popularly called the Third Feast-of-the-Savior in August.

The Chapel of the Panagia of the Six Orphans in Ithaca–Παναγία η Ξαρφανιώτισσα στην Ιθάκη

ΠΑΝΑΓΙΑ Η ΞΑΡΦΑΝΙΩΤΙΣΣΑ

Στην Νότιο Ιθάκη, στον δρόμο για τον Μαραθιά, και στην περιοχή Μπρούζι, ανάμεσα σε αιωνόβιες ελιές, μέσα στο κτήμα του κ. Διονυσίου Ν. Κασσιανού, βρίσκονται τα Ίχνη των ερειπίων από ένα παλαιότατο εκκλησάκι της Παναγίας της Ξαρφανιώτισσας.

Υπάρχει σχετική παράδοση γύρω από το όνομα αυτό της Παναγίας μας. Εδώ θα προσπαθήσουμε με προσοχή και πληροφορίες πού συλλέξαμε να εξιστορήσουμε το γεγονός το όποιο έγινε αφορμή για να πάρει ή Παναγία μας αυτό το όνομα. Θα καταγράψουμε λοιπόν το γεγονός χωρίς να αποκλείουμε και άλλες εκδοχές ή σχετικές ιστορίες, τις όποιες με πολύ αγάπη και ενδιαφέρον θα θέλαμε να ακούσουμε και να καταγράψουμε.

Πριν από χίλια και πλέον χρόνια λοιπόν, πιθανόν στην περιοχή «Ρίζες», πού ευρίσκεται κοντά στο «Μπρούζι», υπήρχε κάποια οικογένεια. Ο πατέρας, η μάννα και τα έξι παιδιά τους. Ο πατέρας καραβοκύρης, έλειπε αρκετό διάστημα από το σπίτι προκειμένου να εξασφαλίσει τα προς το ζην της οικογένειας. Σε κάποιο από το διάστημα της απουσίας του, η μάννα αφήνει αυτόν τον πρόσκαιρο κόσμο και μένουν ορφανά τα έξι παιδιά τους. Οι γείτονες όμως, τα έβλεπαν περιποιημένα, καθαρά και καλοταϊσμένα. Όταν ρωτήθηκαν τα παιδιά ποιος τα περιποιείται εκείνα απάντησαν: «Η μανούλα».



Μα ποιά μανούλα να ήταν αυτή αφού ή δική τους είχε πεθάνει από καιρό;

Παρακολούθησαν και είδαν μια μαυροφορεμένη να μπαίνει στο σπίτι των παιδιών να κάνει τις δουλειές και κατόπιν να φεύγει και να κατευθύνεται στο εκκλησάκι πού αναφέραμε στην αρχή της διήγησης μας. Μπήκε μέσα στο εκκλησάκι και εξαφανίστηκε.

Από αυτό το γεγονός πήρε το όνομα «Ξαρφανιώτισσα» γιατί προστάτευσε έξι ορφανά.

Υπάρχει και άλλη σχετική ιστορία όπου έξι ορφανά χάθηκαν στο δάσος περιπλανήθηκαν όλη μέρα και όλη νύχτα και «κάποια» μαυροφορεμένη γυναίκα τα προστάτευσε και τα βοήθησε να βρουν το δρόμο για το φτωχικό τους.

Ήταν η Παναγία μας!

Αν και δεν διασώζεται ή αυθεντική εικόνα της «Ξαρφανιώτισσας», θα προσπαθήσουμε να περιγράψουμε βάσει πληροφοριών, τον τύπο της εικόνας.

Είναι η Παναγία η Ελεούσα. Στο κάτω μέρος της εικόνας, υπήρχαν έξι μορφές παιδιών, σαν αγγελούδια, πού τα αγκαλιάζουν τα δύο προτεταμένα χέρια της Παναγίας. Δεν υπήρχαν χρώματα αλλά ήταν κατασκευασμένη-σκιτσαρισμένη μόνο, μάλλον με κάρβουνο ή σινική μελάνη. Ήταν περίτεχνη και λεπτομερής.

Δεν είχε πολύ μεγάλο μέγεθος και φυλασσόταν μέσα σε θήκη με τζάμι, στο σπίτι της Μαρίας Αρμένη μέχρι τους καταστροφικούς σεισμούς του 1953 ίσως και λίγο μετά. Από εκεί και πέρα χάνονται τα ίχνη της εικόνας.

Η φωτογραφία που δημοσιεύουμε, είναι καινούργια σύνθεση από τον αγιογράφο κ. Ελισαίο Τσεκούρα ο όποιος την φιλοτέχνησε αφιλοκερδώς καθ’ υπόδειξη και προτροπή του π. Θεοδοσίου Δενδρινού.

Απεικονίζει την Παναγία μας να έχει απλωμένα τα χέρια και γύρω της τα έξι ορφανά. Στο κάτω δεξιό μέρος απεικονίζεται το λιμάνι της Ιθάκης, όπως θα φαινόταν από την περιοχή πού βρίσκεται το εκκλησάκι της. Επίσης γύρω της απεικονίζεται το φυσικό περιβάλλον όπως είναι.

Θερμότατες ευχαριστίες απευθύνω στην κ. Διαμάντω Β. Μιχαλοπούλου, από το Περαχώρι για τις πολύτιμες πληροφορίες της, καθώς και στην κ. Αλεξάνδρα Γ. Δενδρινού.

Ενδόμυχη ευχή μας είναι να βρεθούν άνθρωποι πού θα ενδιαφερθούν με κάθε δυνατό τρόπο ώστε να ξαναφτιαχτεί αυτό το εκκλησάκι με την τόσο όμορφη, ενδιαφέρουσα και σπάνια ιστορία. Όπου υπάρχει θέληση υπάρχει και τρόπος!

Ας είναι βοήθεια μας η Παναγία η Ξαρφανιώτισσα.









The Chapel of the Panagia of the Six Orphans in Ithaca

In South Ithaca, on the road towards Marathia, in the region of Brouzi, among old olive trees, on the property of Dionysios N. Cassianos, there are traces of the ruins of a very old chapel named Panagia Xarfaniotissa.

There is a tradition around the name "Xarfaniotissa". We will carefully recount the information we gathered regarding the event that led to the naming of this church. We also will not exclude other versions or related stories, which we wanted to hear and record with great interest and love.

About a thousand years ago, probably in the region of Rizes, which is near Brouzi, there was a family – a father, mother and their six children. The father was a skipper of a ship, and he was away from the house for a long period of time to ensure the livelihood of his family. At one point during his absence, the mother left this temporary world and left her six children orphans. The neighbors, however, saw that everything was neat, clean and they were all well fed. When the children were asked who was taking care of them, they relied: "Mommy!"

But which mommy was this, since their mother had died some time ago?

For this reason they observed what was going on, and they saw a woman in black enter the house of the children to do chores, and then she would leave and go to the chapel we mentioned in the beginning. When she entered the chapel, she would disappear. It is for this reason that the Panagia of this chapel received the name "Xarfaniotissa" (of the Six Orphans), because she protected the six orphans.

There is another related story in which six orphans wandered into the woods and got lost all day and night, and then "some" woman in black protected them and helped them find their way to their poor home.

It was our Panagia!

Although an authentic image of the "Xarfaniotissa" has not been preserved, we will try to describe it based on information of the type of icon it is. It is the Panagia Eleousa. At the bottom of the icon there are six images of children, like little angels, that are embraced with the two outstretched arms of the Panagia. Originally there were no colors, but it was only sketched with either coal or ink. It was elaborate and detailed, and not very large so that it was kept in a case with a glass window. Maria Armeni kept it in her home until the devastating earthquakes of 1953 and perhaps shortly thereafter. From that time and beyond all traces of the icon are lost.

The photo published above is a new composition by the iconographer Mr. Elisha Tsekouras, who painted it pro bono with the advice and encouragement of Fr. Theodosios Dendrinos. He depicts our Panagia with outstretched arms and six orphans around her. At the bottom right is the port of Ithaca, as it appears from the place where the chapel is located. Also surrounding them is the natural environment of the area as it is.

Warmest thanks go to Mr. Diamando B. Michalopoulos from Perachori for his valuable information, and Mrs. Alexandra G. Dendrinos.

It is our innermost desire to find people who will be interested in every possible way in rebuilding this chapel, which has such a beautiful, interesting and rare story. Where there’s a will, there’s a way!

Παρακαλάμε για τη Βασιλεία των ουρανών και συνάμα χασμουριόμαστε

Η ανταπόκριση του Κυρίου στην προσευχή δεν εξαρτάται από το πλήθος των λόγων, αλλ’ από τη νήψη του νου και της καρδιάς. Και αυτό μπορεί να το διαπιστώσει κανείς απ’ όσα λέει η Γραφή για τη στείρα Άννα, τη μητέρα του προφήτη Σαμουήλ. «Κύριε», έταξε η Άννα, «αν σκύψεις πάνω από τη θλίψη της δούλης σου και με θυμηθείς και μου δώσεις παιδί, τότε εγώ θα το αφιερώσω σ’ εσένα για όλη του τη ζωή» (Α’ Βασ. 1:11).

Είναι πολλά τα λόγια αυτά; Όχι. Και όμως, επειδή με νήψη και προσοχή έκανε αυτή τη μικρή προσευχή, κατόρθωσε όσα ηθέλησε: Και την ανάπηρη φύση της διόρθωσε και την κλεισμένη μήτρα της άνοιξε και από την περιφρόνηση των ομοεθνών της λυτρώθηκε και από την άγονη γη θέρισε σιτάρι πλούσιο. Όποιος προσεύχεται, λοιπόν, ας μη λέει περίσσια λόγια.



Και ο Χριστός και ο Παύλος, άλλωστε, μας σύστησαν να προσευχόμαστε συχνά, αλλά με συντομία και μικρά διαλείμματα. Γιατί, μακραίνοντας την προσευχή, είναι δυνατό να χάσεις την προσοχή. Κι έτσι δίνεις την ευκαιρία στο διάβολο να σε πλησιάσει και να σου υποβάλει τους δικούς του λογισμούς. Αν, όμως, οι προσευχές σου είναι σύντομες και συχνές, τότε θα μπορείς εύκολα να τις κάνεις με προσοχή και νήψη, καλύπτοντας μ’ αυτές όλο τον διαθέσιμο χρόνο σου. Θέλεις κι εσύ να μάθεις άγρυπνη προσευχή και προσοχή του νου και διαρκή παραμονή κοντά στο Θεό; Πήγαινε στην Άννα και μάθε τι έκανε εκείνη.

Σηκώθηκαν, λέει, όλοι από το τραπέζι (Α’ Βασ. 1:9). Ωστόσο, η Άννα δεν πήγε ούτε να κοιμηθεί ούτε ν’ αναπαυθεί. Έτρεξε στη Σκηνή του Μαρτυρίου για να προσευχηθεί. Απ’ αυτό συμπεραίνω πως, ακόμα κι όταν έτρωγε, δεν παραφόρτωνε το στομάχι της. Διαφορετικά, δεν θα μπορούσε να προσευχηθεί, και μάλιστα με τόσα δάκρυα.

Αν εμείς, όταν είμαστε νηστικοί, με δυσκολία κατορθώνουμε να προσευχηθούμε, ενώ ύστερ’ από τα συμπόσια ποτέ δεν προσευχόμαστε, πολύ περισσότερο εκείνη, μια γυναίκα, δεν θα προσευχόταν μ’ αυτόν τον τρόπο μετά το συμπόσιο, αν είχε καλοφάει. Ας ντραπούμε εμείς, οι άνδρες, που παρακαλάμε για τη βασιλεία των ουρανών και συνάμα χασμουριόμαστε, ας ντραπούμε, λέω, εκείνη τη γυναίκα, που παρακαλούσε κι έκλαιγε. Δες την ευλάβειά της κι από τούτο: «Μιλούσε από την καρδιά της· τα χείλη της μόλις που κινιόνταν και η φωνή της δεν ακουγόταν καθόλου» (Α’ Βασ. 1:13).

Άγιος Ιωάννης ο Χρυσόστομος

http://1myblog.pblogs.gr/2013/08/parakalame-gia-th-basileia-twn-oyranwn-kai-synama-hasmoyriomaste.html

The Panagia: the Joy of All Christians

The All-Holy Virgin: the spiritual adornment of Orthodoxy

The Virgin Mary is the spiritual adornment of Orthodoxy. For us Greeks she is the pained mother, the comforter and the protector, who stands by us in every circumstance. In every part of Greece countless churches and monasteries are built, palaces of this humble queen, and a large number of small country-churches are scattered on the mountains, the plains and the islands, sweet-scented by the fragrance of her virginity and spirituality. Within each of these shrines, one finds the old and venerable icon with the dark and golden-waxed face, which is constantly wet from the tears of our tortured people, because we have no other to help us, except the All-Holy Virgin Mary, "for as sinners we have no other constant mediator before God in times of trouble and affliction as we bend beneath our multiple faults." The beauty of Mary is not carnal, but spiritual, because where there is pain and holiness, there is only spiritual beauty. Carnal beauty brings carnal excitement, whereas spiritual beauty brings devotion, respect and pure love. This is the beauty that the All-Holy Virgin has. And this beauty is imprinted on her Greek icons which were made by pious people who were fasting, chanting and clad in broken-heartednesss and spiritual purity. It is this mystical beauty, depicted on the face of the Virgin, that draws like a magnet pious souls, quietening and comforting them. And this spiritual fragrance is the so-called Joyful Mourning (1), which is granted to us by the religion of Christ, an herb unknown to people who do not go near Him who is the good shepherd. This joyful sorrow is depicted in every creation of Orthodox art, and sheds a fragrance like myrrh and aloe, whether this creation is an icon, or hymnody, or chanting, or manuscript, or vestments, or words, or actions, or blessings, or greetings, or monastery, or monastic cell, or carved wood, or embroidery, or candel, or lectern, or candelabra, or whatever is a vehicle for sanctification.



The Orthodox names of the All-Holy Virgin

From the names alone that Orthodoxy gave to the All-Holy Virgin, they fully adorned Her person – not as a theatrical spectacle, as is done elsewhere, namely, depicting Her as a doll that was loaded with rings and earrings and a whole cluster of other profane and senseless things – from these alone, I say, it becomes obvious how truly spiritual is the veneration of the All-Holy Virgin in Greek Orthodoxy. First of all is Her holiest name: Panagia (All-Holy One). Then, the other names: the Superbly-Blessed, the Theotokos (God-bearer), the All-pure One, More Honorable than the Cherubim and More Glorious than the Seraphim, the Living and Plentiful One, the Fountain, the Ensouled Ark, the Undefiled One, the Immaculate One, the Fully-Graced One, the Ever-Blessed and All-Blameless One, the Protection, the Listening One, the Speedily-Acting One, the Quick-Responding One, the Sanctified Temple, the Rational Paradise, the Unwithering Rose, the Golden Censer, the Golden Light, the Mana-Receiving Jar, the Heavenly Ladder, the Fervent Intercessor, the Unconquerable Fortress, the Source of Mercy, the World’s Shelter, the King’s Throne, the Gold-Claded Tower and Twelve-fold Walled City, the Sun-Illumined Throne, the Protective-Shelter of the World, the Fine-Fruit-Bearing Tree, the Good-Shading Tree of Rich Foliage, the Ray of the Spiritual Sun, Holy Zion, God’s Habitation, the Heavenly Gate, the Patron of the aggrieved, the Staff of the Blind, the Joy of the Afflicted, and a thousand others, which are recorded in the books of the Church. Close to them are the names that hagiographers inscribe upon Her holy icons: the Guide, the Sweet-Kissing One, the One that is Wider than Heaven, the Hope of the hopeless, the Speedy Visitation, the Spotless One, the Hope of the Christians, the Consolation, the Merciful One, and many others, which are written under the abbreviation: ΜΡ ΘΥ, which means Mary Mother of God. How much love, how much reverence and how many tears of devotion these names alone reveal, which were not pronounced as easily as the words that exit from the mouth, but as names that were engraved in souls with pain and humility and faith.

The Orthodox hymns to the All-Holy Virgin

The same is the case with the hymns to the All-Holy Virgin, which are innumerable like the stars of heaven and are exquisite in beauty, and which were composed by saintly hymnographers who “constituted a spiritual chorus!” In this fragrant orchard are placed all the unfading flowers and sweet herbs of speech. Indeed, it was the All-Holy Virgin herself that prophesied of herself, when she went to the house of Zachariah and Elizabeth embraced Her, that all generations will call Her blessed: "In those days, Mary arose and went to the mountainous region in the region of Judah and entered the house of Zachariah and greeted Elizabeth. And as Elizabeth heard the greeting of Mary the child jumped inside her womb (2).

And Elizabeth was filled with the Holy Spirit and cried with a loud voice and said: “Blessed are you among women and blessed is the fruit of your womb. And from where did this good come to me, that the mother of my Lord should come to me? Because, as soon as the voice of your greeting came to my ears, the child jumped in my womb, and blessed is she who believed in what the Lord said of her (3).” And Mariam said: “My soul glorifies the Lord and my spirit rejoices in God my Savior, because He condescended to look upon His humble servant. Henceforth, all generations will call me blessed, because the Mighty One has made great things in me, and sanctified is His name, and His mercy goes on from generation to generation to those who have the fear of Him.”

The Orthodox Icons of the All-Holy Virgin

Just as there are countless hymns of the Virgin Mary, so there are countless icons of Her in unobtrusive colors, which embellish our churches and are painted on plank or wall. In every Orthodox church there stands her icon on the iconostasis at the right side of the Holy Gate. In other icons she is painted as a nun, but in the icons of the iconostasis she is always depicted holding Christ in her arms on her left side, but rarely on her right (then she is called Dexiokratousa=Right-holder). Her head is covered modestly and solemnly with a maphorion, a loosely fitting and priestly dress, of dark crimson color, falling on her shoulder in a spacious setting, leaving uncovered only her elongated face and her hands. Inside the cover is shown a narrow strip from the bonding of her head which tightens her forehead and allows only the edges of the ears to appear. Her forehead is like dark ivory, pure, simple and crystal clear. The eyebrows are arched, vibrant and long, reaching near her ears, her eyes almond-like, with shadowy, brown, deep, serious but luscious, as egg whites clean but shaded. Her look is melancholic, simple, direct, quiet, nice, dear, but sorrowful and joyous together, strict but also compassionate, most holy, spiritual, innocent, thoughtful, unblemished, hopeful, patient, meek, most unassuming, distant from all carnal consideration, a mystical mirroring of paradise, royal and humble, human and divine, harmless, brotherly, courteous, examining, alert, serene, philanthropist, motherly, maiden, cool, caustic for those who have evil thoughts, tender, piercing, searching, unpretentious, pedominant, condescending, supplicatory, unshakable. Her nose is long and narrow, moderate, Jewish, fleshless, with thin nostrils, slightly overturned, modest. Her mouth small, shy, prudent, closed, clean, shaded in the cheek, as if smiling slightly. Her chin is flared, respectable, unpretentious, humble. Her cheek, virginal, clean, soft, fragrant, shy, pale with very slight redness. Her neck, bent humbly, joins the chin with a gentle shade which was called sweetness by the older icon-painters. Her whole face is priestly and religious, and reveals an ancient tribe. Her immaculate hands are small, narrow with long fingers and thin nails. With the left hand she holds Christ, while her right hand is leaning modestly on her chest, in a supplicatory position, with the index finger away from the others. In more ancient icons this hand is more upright and higher, near the neck.

The most severe type of the All-Holy Virgin is the so called Odegetria=The Guide, which has her head erect, her expression more impassive and her whole posture more priestly. On the other hand the Glykofilousa=Sweet-kissing Virgin has her head reversely curved towards her Child, whom she embraces more tightly, and her expression is more emotional. The Platytera=Wider than the Heavens Virgin is depicted seated on the throne, rigorous and unbending, and holding Christ on her knees, leaning one of her hands on his shoulder and with the other holding his foot or a cloth.

The Orthodox Churches of the All-Holy Virgin

In Greece, most of the churches of the All-Holy Virgin hold their Feast on the Dormition of the Theotokos, i.e. on the 15th of August. The hymns chanted on this Feast are the most exquisite. The Doxastikon of Vespers is the only hymn that is chanted in the eight tones, each phrase has a different tone. It starts with the first tone and ends again with the first. But the whole of Greece praises the All-Holy Virgin not only with the chanters and the priests in the churches, but also with everything it has, with the villages, the mountains, the islands, which bear Her holy name. The boats sail in the cool sea, passing by the headlands where Her monasteries are built, having carved on their stern Her much loved and venerated name. Anyone sailing in Greek waters, in whatever place may find himself on the Feast Day of the All-Holy Virgin, will hear bells ringing from the sea. Some come from the Holy Mount Athos which is known as the Garden of the All-Holy Virgin, others from Tinos, where one of Her most famous palaces is located, others from Salamis where the Monastery of the Phaneromeni=The Revealed One keeps Her Feast, others from Mytilene, from the All-Holy Virgin of Agiassos and Petra, others from the Monastery of Siphnos, others from Skiathos, others from Naxos - from every island, from every headland, from every dry land.





Photis Kontoglou

The Pain of the Mother of God

by Saint Silouan the Athonite

When the soul abides in the love of God - how good and gracious and festive all things are! But even with God's love sorrows continue, and the greater the love the greater the sorrow. Never by a single thought did the Mother of God sin, nor did she ever lose grace, yet vast were her sorrows; when she stood at the foot of the Cross her grief was as boundless as the ocean and her soul knew torment incomparably worse than Adam's when he was driven from Paradise, in that the measure of her love was beyond compare greater than the love which Adam felt when he was in Paradise. That she remained alive was only because the Lord's might sustained her, for it was His desire that she should behold His Resurrection, and live on after His Ascension to be the comfort and joy of the Apostles and the new Christian peoples.

We cannot attain to the full the love of the Mother of God, so we cannot thoroughly comprehend the grief. Her love was complete. She had an illimitable love for God and her Son, but she loved the people too with great love. What, then, must she have felt when those same people whom she loved so dearly, and whose salvation she desired with all her being, crucified her beloved Son?

We cannot fathom such things, since there is little love in us for God and man.

Just as the love of the Mother of God is boundless and passes our understanding, so is her grief boundless and beyond our understanding.


O holy Virgin Mary, tell us, thy children, of thy love on earth for thy Son and God. Tell us how thy spirit rejoiced in God thy Savior. Tell us of how thou didst look upon His fair countenance, and reflect that this was He whom all the heavenly hosts wait upon in awe and love. Tell us what thy soul felt when thou didst bear the wondrous Babe in thine arms. Tell us of how thou didst rear Him, how, sick at heart, thou and Joseph sought Him three long days in Jerusalem. Tell us of thine agony when the Lord was delivered up to be crucified, and lay dying on the Cross. Tell us what joy was thine over the Resurrection. Tell us how thy soul languished after the Lord's Ascension. We long to know of thy life on earth with the Lord, but wast not minded to commit all these things to writing, and didst veil thy secret heart in silence.


http://www.johnsanidopoulos.com/2010/04/pain-of-mother-of-god.html

The Mother of God gave many gifts to many saints(Part 4)

On the fifth Sunday of Great Lent, our Church commemorates St. Mary of Egypt.
The Mother of God helped this former harlot to arrive at repentance and to flee from sin
in the following manner:“When the day of the Elevation of the Cross arrived[recounts St. Mary of Egypt],
I decided to join the people who were going to church for the vigil, my sole intention being to look at the young men who would be there. When I arrived at the church, I tried to enter through the door but was pushed aside by others and was unable to enter. Everyone was proceeding into the church; however,
it was impossible for me to enter.

Even though I made three-four repeated attempts, I could not get through the door, and so I remained
outside in the courtyard. I then walked over to one of the corners of the church. As I stood there pondering, I understood that I had been prevented from entering on account of my innumerable sins. I then began to weep bitterly for my transgressions, and as I did so, I noticed high up on the wall an icon of the Virgin Mary.
As I gazed at her icon, I sighed deeply and said, ‘
O Virgin Theotokos who gave birth to our Lord Jesus Christ:I know that I am not worthy of looking at your holy icon on account of my many sins.
Nevertheless, God became a man in order to call sinners to repentance. Hence,come to my aid and help me enter the church so I can also see the Venerable Cross upon which your Son was crucified for my sins, and upon which He spilt HisImmaculate Blood to save us sinners. If I am counted worthy of beholding the
Precious Cross, I beg you, intercede on my behalf and assure your Son that I will no longer defile my body; rather, when I exit the church, I will go wherever you guide me.’


“Having said this, I felt relief. Then I joined a group of people and entered the church with them freely without any hindrance as the first time. When I approached and witnessed the Most-Holy Cross, I was overcome with fear and awe. I fell to the ground and venerated it with tears, and then I got up and rushed back to the spot where the icon of the Virgin Mary was located, and I addressed her, ‘O Most-Holy Virgin, you did not disdain me, your sinful and unworthy servant. On the contrary, you helped me see that which I longed for and desired. Hence, my Lady Theotokos, show me how to be saved. Lead me to salvation. You who became my sponsor, become my guide and teach me how to be pleasing to your Son.’ As I was saying these things, I heard a voice responding,‘If you cross over the Jordan river, you will find tremendous rest and
benefit.’ As soon as I heard this, I exclaimed loudly, ‘My dear Theotokos! My dear Theotokos, do not abandon me.’ Having said this, I left for the Jordan river.”



After she dwelt in the desert, the Mother of God aided her in her struggle toward holiness. This is how she related her experiences to St. Zosimas:“I lived in this desert for seventeen years, during which time I had innumerable temptations from the demons. Every time I sat down to eat, I would recall the meat and
fish of Egypt, I remembered the wine I use to drink, and my heart would be set ablaze because here I barely had enough water to drink. I would also remember the songs I knew, and I would start to sing; however, I would straightaway bring to mind my sins and the Immaculate Virgin who had become my surety and thus I, the wretch, would feel compunction and weep. Without hesitation, I would then call upon the Theotokos and
almost immediately a brilliant light would appear before me that dispersed all these evil thoughts. How can I describe the flame of fornication that consumed my heart?


Whenever such vulgar thoughts arose, I would fall to the ground weeping, and I would
not get up until that light dispersed the evil images.And so, I was plagued and assaulted by such temptations, Abba Zosima, for seventeen years. From then on, and up until today, with the help of my Panagia I am no longer disturbed by any passions.”



Through her holy prayers, may Christ our God grant us sincere repentance.
Amen.

ΘΑΥΜΑ Η ΠΑΝΑΓΙΑ ΘΕΡΑΠΕΥΣΕ ΑΝΑΠΗΡΟ ΠΑΙΔΙ

Άγιον Όρος ''Το περιβόλι της Παναγιάς δάκρυσε''

The Mother of God gave many gifts to many saints(Part 1)

St. Gregory Palamas, who lived during the 14th century and whom our Church commemorates on the second Sunday of Great Lent, received many gifts and blessings from the Mother of God throughout his life.


When he was a young boy, he had difficulty learning in school. In the face of such difficulty, he decided to first pray and prostrate himself three times before the icon of the Theotokos prior to reading the lesson. Henceforth, with Her help he could memorize everything he read with ease.
It was not long before he excelled in his studies to such a degree that everyone marveled at his wisdom.


Two years after he became a monk, as he was praying alone and had his mind completely turned to himself and God,a reverend and heavenly gentleman (who was the holy Apostle St. John the Theologian) suddenly appeared to him. He sweetly gazed at St. Gregory and said, "My child, I have been sent by the Most-Holy Queen of heaven and earth to ask you why do you ceaselessly cry out to God at every moment, 'enlighten my darkness, enlighten my darkness'?"


St. Gregory replied, "What else should I, who am full of passions and sins, ask for other than to receive mercy and enlightenment, so I can come to know and execute His holy will?"Then St. John the Theologian stated, "The Lady of heaven and earth has sent me, Her servant, to tell you that She will be your helper."


St. Gregory asked again, "Where will the Mother of my Lord help me? In this present life or in the next life?"
"Both in this present as well as the next life," replied the Theologian. Having said these words, the Apostle disappeared, while St. Gregory's heart became filled with ineffable joy on account of the assurance he received from the Theotokos.Another time, while he was praying in his cell to the Mother of God for both
himself as well as all the members of his brotherhood, asking Her to allow them to advance spiritually and ascend to God without any hindrance, and to help them obtaintheir basic living necessities easily, so they do not have to spend all their time trying to find the essentials and are thus prevented from preoccupying
themselves with the more important spiritual matters. Soon thereafter, the Mother of God appeared to St.
Gregory during the day. She was adorned modestly as a virgin, just as she is depicted in Her icons. She then
turned to the many radiant people who were accompanying Her and ordered, “From now on, give to Gregory everything that he and his brotherhood need.” Having said this, the Theotokos disappeared. The Saint would later confess that from that point forward, “
We had everything we needed, no matter where we went.”



May we have his holy blessings, and the intercessions of the Ever-Virgin Mary. Amen.

Our Most Holy Lady Theotokos

Ἡ Παναγία Μητέρα μας - ( Γέρων Ἰωσήφ ὁ Ἡσυχαστής )

 

[Ἀπόσπασμα ἐπιστολῆς τοῦ μακαριστοῦ Γέροντος ᾿Ιωσὴφ τοῦ ῾Ησυχαστοῦ, γραμμένης ἀπὸ τὰ σπήλαια τῆς Μικρᾶς ῾Αγίας ῎Αννης τοῦ Ἁγίου Ὄρους τὸ ἔτος 1947 πρὸς Μοναχική Αδελφότητα στὸ ὁποῖο μὲ εκπληκτική χάρη καὶ τόλμη εἰσδύει στὰ βάθη καὶ πετᾶ στὰ ὕψη τῆς γνωστῆς εἰς αὐτὸν πνευματικῆς πραγματικότητος, γιὰ νὰ μᾶς μυήση στὰ «μυστήρια τοῦ Θεοῦ» καὶ μάλιστα στὸν τρόπο «συγγενείας» μας μὲ τὴν Παναγία Μητέρα μας.]
«... Ἀκούσατέ μου, λοιπόν, ἐνωτίσασθέ μου τούς λόγους, ὅτι μέλλω εἰπεῖν εἰς ὑμᾶς ὄντως φοβερόν καὶ ἀπόκρυφον καί τῆς Οἰκονομίας τοῦ Θεοῦ τό μέγα Μυστήριον. Οὐ φθονῶ τήν ὠφέλειαν, οὐ κρύπτω ὅ οἶδα ὡς ὁ κρύψας τό τάλαντον, οὐ δειλιῶ τάς ἀπειλὰς τῶν δαιμόνων ὅπου ὠρύονται κατ' ἐμοῦ ἐμφανίζοντος τοιαῦτα μυστήρια, ἀλλ' ἐλπίζω εἰς τάς εὐχάς σας.

Ἐλᾶτε λοιπόν πᾶσαι ὅμου κατά τάξιν καθάρατε στόματα δι’ ἀληθείας, ἁγνίσατε σώματα διά νηστείας καί ἁγιάσατε πνεύματα διά προσευχῆς- γίνετε νήπια σώματα καὶ ἡγεμονικά πνεύματα- πτεροφυήσατε καὶ ἀπό σκώληκες γίνετε πεταλοῦδες- μηδέν γήινον ἀφήσετε εἰς τόν νοῦν σας- πετάσθητε πλησίον μου, κἀγὼ ὑμῶν προπορεύομαι- μέλλει γάρ νά διέλθωμεν τόν αἰθέρα! Μή φοβῆσθε ποσῶς, κἀγὼ πολλάκις ἀνῆλθον καὶ γινώσκω τόν δρόμον. Ἀκολουθῆτε λοιπόν δορκάδες τοῦ Ἰησοῦ μοῦ κατόπιν ἡ μία τήν ἄλλην- ἀφήσατε τόν νοῦν σας ἐλεύθερον νά φαντασθῆ τά οὐράνια καί ἰδού μᾶς ἀνοίγεται ἡ θύρα τοῦ Παραδείσου!...

Ἔνθεν κἀκεῖθεν οἱ Ἄγγελοι παραστέκονται, Χερουβὶμ καὶ Σεραφίμ- Ἑξαπτέρυγα περιΐπτανται δεξιά καὶ ἀριστερά- ἀδαμάντινα τείχη- μυρίπνοα ἄνθη χρυσοφαῆ εὐωδιάζουν τά πέριξ, ἔνθα στρουθία διάφορα μυριόχρωμα μελιρίζουν διάφορα τερερίσματα καί τόν νοῦν μας ἀπό θεωρίας εἰς θεωρίαν ἀνάγουν-τό ἔδαφος ὡσεὶ χιὼν λευκόν καί μέσον αὐτοῦ τῆς Ἀνάσσης ἡμῶν καί Πανάχραντου Μητρός τό μέγα Παλάτιον....

Τρεχάτε, λοιπόν, διότι ἐμᾶς περιμένει ἡ γλυκειά μας Μανούλα! Μή προσέχετε εἰς τούς Ἀγγέλους, διότι γέγραπται μήτε οἱ Ἄγγελοι νά μᾶς χωρίσουν ἐκ τῆς ἀγάπης τοῦ Ἰησοῦ...

Καὶ ἰδού, ὁ καλός θυρωρός μᾶς ἀνοίγει, ὁ πυρίμορφος Ἄγγελος καὶ ἡ γλυκειά μας Μανούλα, ὡσεὶ χιὼν λευκή, ἐγείρεται καὶ μᾶς κάμνει ὑποδοχήν!...

Ὦ γλυκειά μας Μανούλα, ὦ φῶς τῆς ψυχῆς μας, ὦ ἀγάπη ἀνόθευτος, ὦ ζωή τῆς ψυχῆς μας! Μέ τό ὄνομά Σου στό στόμα νά ξεψυχίσωμε, μέ ἕνα γλυκύτατον φίλημα νά μᾶς παραλάβης καί εἰς τούς κόλπους Σου νά ὑποδεχθῆς! Ὦ μάννα, μέλι καὶ νέκταρ γλυκύτατον, ὦ εὐωδία καὶ μυρίπνοον ἄρωμα!...

Πέσατε, λοιπόν, χάμω καί ἀσπασθῆτε τήν γλυκειά μας Μανούλα -πόδας, χείρα καὶ στόμα- καὶ λάβετε εὐωδίαν ἄρρητον ἀπό Ἁγίαν Παρθένον! Μή διστάζετε, ὅτι Αὐτὴ μόνη τόν τρόπον μοί ἐδίδαξε καὶ τήν παρρησίαν καὶ ἄγαπην μοὶ ἔδειξε καὶ μοῦ ἔδωσε!...

Φράσον εἰς ἡμᾶς, γλυκειά μας Μανούλα, τό μυστήριον τῆς ἀπορρήτου οἰκονομίας Σου καί τῆς μετά Σοῦ καὶ ἡμῶν συγγενείας. Ἐσύ, Μανούλα γλυκυτάτη, ὅπου βαστάζεις διά παντός τό γλυκύτατον Βρέφος στήν ἀγκαλιά Σου -Ἐκεῖνο ὅπου βαστάζει τά πάντα διά τοῦ νεύματος, τό Μικρουλάκι δι’ ἡμᾶς ἐν χρόνῳ καὶ Ἄχρονον καὶ Παλαιόν Ἡμερῶν- εἶπε εἰς ἡμᾶς μέ τό μυρίπνοον στοματάκι Σου αὐτά, ὅπου οὐ δύνανται Ἄγγελοι παρακύψαι, τά ὁποῖα ἡμεῖς ἠξιώθημεν!...

Καὶ ἀκούσατε, ἀδελφές μου ἠγαπημένες, καὶ πάλιν: ὁπόταν τελῆται ἡ Θεία Μυσταγωγία, δίδει ἡ γλυκειά μας Μανούλα τό Βρέφος, καί θύεται δι’ ἡμᾶς καὶ ὁπόταν ἡμεῖς κοινωνοῦμεν ἀξίως διά προηγησαμένης νηστείας, διά προαιρετικῆς ἀγρυπνίας, διά κατανυκτικῆς προσευχῆς, ἐσθίομεν τό Σῶμα τοῦ Ἰησοῦ καί τό Αἷμα αὐτό ποὺ ἔλαβεν ἀπό τό Πανάχραντον Αἷμα τῆς Παναγίας. Ἐπίσης, τό Σῶμα τοῦ Κυρίου ἐσθίοντες, θηλάζομεν συνεχῶς τό γάλα τῆς Παναγίας, ὁπότε τί γίνεται εἰς ἡμᾶς; Γινόμεθα γνήσια τέκνα τῆς Παναγίας καί ἀδελφοί τοῦ Χριστοῦ καί κατά χάριν υἱοὶ καί τέκνα Θεοῦ. Καί ὁπόταν ἡμεῖς τόν Χριστόν περιέχομεν ἀπορρήτως εἰς τήν ψυχήν καὶ εἰς τό σῶμα, ἀνουσίως (ὄχι κατ' οὐσίαν, ἀλλὰ κατά χάριν) - ἐπειδή εἶναι σύν Πατρὶ ἀδιαίρετος - καί τόν Πατέρα συνέχομεν ὁμοῦ καί τό Ἅγιον Πνεῦμα!

Αὐτὴ εἶναι ἡ ὑπερφυεστάτη συγγένεια ὅπου ἀπό τήν Παναγία καί γλυκειά μας Μανούλα ἐλάβομεν!

Βλέπετε ὁποίας δωρεὰς μᾶς ἠξίωσε ἡ γλυκειά μας Μανούλα; Βλέπετε πόσον χρεωστοῦμεν νά ἀγαπῶμεν Αὐτήν; Δι’ αὐτό πρέπει ἀδιαλείπτως ὡς βρέφη νά προσεγγίξωμεν καί συχνά τόν θεῖον μαστόν Της νά λαμβάνωμεν νά θηλάζωμεν ὡς ἄκακα τέκνα της. Εἰς κάθε φορὰν ὅπου μέλλει νά κοινωνήσωμεν, νοερῶς νά λαμβάνωμεν τόν μαστόν νά θηλάζωμεν καί ὁ γλυκύς Ἰησοῦς ὁ μικρούλης εἰς τήν ἀγκάλήν Της, ὑποχωρεῖ καί μᾶς δίδει τήν ἄδειαν- δέν ζηλοτυπεῖ εἰς τήν ἄφθονον διανομήν τῆς Μανούλας Του, ἀλλὰ χαίρεται καὶ μᾶς προσκαλεῖ: Τυλιχθῆτε ὡς βρέφη εἰς τό φόρεμα τῆς Μανούλας μας καί πληρωθῆτε ἁγνείας ἀπό θεῖον σῶμα παρθενικόν- εὐωδιάσατε ἀπ' Αὐτήν! Δέν εἶδα ἐγὼ ἄλλον τι ὅπου τόσον νά ἀρέση ἡ Παναγία ὡς τήν ἁγνείαν, καὶ ὅποιος θέλει νά ἀπόκτηση τήν πολλήν Της ἀγάπην, ἄς φροντίζη νά καθαρεύη καί διαρκῶς θά τόν περιθάλπη στούς κόλπους Της καί κάθε οὐράνιον θά τοῦ δίδη...».

Γέρων Ἰωσήφ ὁ Ἡσυχαστής

(ΓΕΡΟΝΤΑΣ ΠΑΪΣΙΟΣ): «Η ΠΑΝΑΓΙΑ,ΟΠΟΤΕ ΕΧΟΥΜΕ ΑΝΑΓΚΗ, ΑΠΑΝΤΑ ΑΜΕΣΩΣ ΣΤΗΝ ΠΡΟΣΕΥΧΗ ΜΑΣ»

 Γέροντα, γιατί η Παναγία άλλοτε µου δίνει αµέσως αυτό που της ζητώ και άλλοτε όχι;



– Η Παναγία, όποτε έχουµε ανάγκη, απαντά αµέσως στην προσευχή µας• όποτε δεν έχουµε, µας αφήνει, για να αποκτήσουµε λίγη παλληκαριά.
Όταν ήµουν στην Μονή Φιλοθέου, µια φορά, αµέσως µετά την αγρυπνία της Παναγίας µε έστειλε ένας Προιστάµενος να πάω ένα γραµµα στην Μονή Ιβήρων. Ύστερα έπρεπε να πάω κάτω στον αρσανά της µονής και να περιµένω ένα γεροντάκι που θα ερχόταν µε το καραβάκι, για να το συνοδεύσω στο µοναστήρι µας – απόσταση µιαµιση ώρα µε τα πόδια.



Ήµουν από νηστεία και από αγρυπνία. Τότε την νηστεία του Δεκαπενταυγούστου την χώριζα στα δύο• µέχρι της Μεταµορφώσεως δεν έτρωγα τίποτε, την ηµέρα της Μεταµορφώσεως έτρωγα, και µετά µέχρι της Παναγίας πάλι δεν έτρωγα τίποτε. Έφυγα λοιπόν αµέσως µετά την αγρυπνία και ούτε σκέφθηκα να πάρω µαζί µου λίγο παξιµάδι. Έφθασα στην Μονή Ιβήρων, έδωσα το γραµµα και κατέβηκα στον αρσανά, για να περιµένω το καραβάκι. Θα ερχόταν κατά τις τέσσερις το απόγευµα, αλλά αργούσε να έρθη.



Άρχισα εν τω µεταξύ να ζαλίζωµαι. Πιό πέρα είχε µια στοίβα από κορµούς δένδρων, σαν τηλεγραφόξυλα, και είπα µε τον λογισµο µου: «Ας πάω να καθήσω εκεί που είναι λίγο απόµερα, για να µη µε δη κανείς και αρχίση να µε ρωτάη τι έπαθα». Όταν κάθησα, µου πέρασε ο λογισµος να κάνω κοµποσχοίνι στην Παναγία να µου οικονοµήση κάτι.



Αλλά αµέσως αντέδρασα στον λογισµο και είπα: «Ταλαίπωρε, για τέτοια τιποτένια πραγµατα θα ενοχλής την Παναγία;». Τότε βλέπω µπροστά µου έναν Μοναχό. Κρατούσε ένα στρογγυλό ψωµι, δύο σύκα και ένα µεγάλο τσαµπι σταφύλι. «Πάρε αυτά, µου είπε, εις δόξαν της Κυρίας Θεοτόκου», και χάθηκε. Ε, τότε διαλύθηκα• µε έπιασαν τα κλαµατα, ούτε ήθελα να φάω πιά … Πα, πα! Τι Μάνα είναι Αυτή! Να φροντίζη και για τις µικρότερες λεπτοµέρειες! Ξέρεις τι θα πη αυτό!

How can we not honor her, the Mother of God.....( Elder Cleopa Ilie )

How can we not honor the Mother of God when Scripture itself shows us that even the archangel Gabriel esteemed her worthy of honorable veneration?


How can we not venerate the Theotokos who is the Church of the King of glory and is glorified above the heavens, since she bore in her womb God, whose glory can be contained neither in heaven or in earth?



For this reason we venerate the Mother of God who, according to the testimonies of Scripture and of the Evangelist, is “full of grace.” Likewise, for this reason the Theotokos is considered a woman of great virtue, for she had grace from God and was blessed among women.




- Elder Cleopa Ilie

Πέστε το στην Παναγία ( Αγιος Πορφύριος )

 

«Αυτά πού θέλετε να πείτε στα παιδιά σας, να τα λέτε με την προσευχή σας. Τα παιδιά δεν ακούν με τα αυτιά• μόνο όταν έρχεται η Θεία Χάρις πού τα φωτίζει, τότε ακούνε αυτά πού θέλουμε να τους πούμε. Όταν θέλετε να πείτε κάτι στα παιδιά σας, πέστε το στην Παναγία κι αυτή θα ενεργήσει. Η προσευχή σας αυτή θα γίνει ζωογόνος πνοή, πνευματικό χάδι, πού χαϊδεύει, αγκαλιάζει, έλκει τα παιδιά»...

Ο π. Πορφύριος πίστευε στην αξία πού έχει η προσευχή για την πνευματική ζωή του ανθρώπου και συμβούλευε τα πνευματικά του παιδιά πώς να προσεύχονται:

«Να εύχεσαι έτσι απλά, απλά και ταπεινά, με πίστη απλή, χωρίς να περιμένεις να σου απαντήσει ο Θεός. Χωρίς να δεις το χέρι Του ή το πρόσωπό Του ή το φωτισμό Του. Τίποτα! Να πιστεύεις! Εφ’ όσον μιλάς με το Θεό, μιλάς πραγματικά με το Θεό».

Αγιος Πορφύριος